Sunday, 10 April 2016
Friday, 8 April 2016
PLAYING THE COLOUR CARD
"This is a personal attack!
You are discriminating,
despising and deriding me
Because I'm Black!"
"Nonsense!" cried I
Indignation
Overcoming the shy,
"I despise you
Because you
Write nothing
But CRAP;
There is nothing
Personal
About THAT!"
You are discriminating,
despising and deriding me
Because I'm Black!"
"Nonsense!" cried I
Indignation
Overcoming the shy,
"I despise you
Because you
Write nothing
But CRAP;
There is nothing
Personal
About THAT!"
MC
Monday, 4 April 2016
Poetry into LIFE! Patrick Glassel and Alice Wanders performance art and experimental music combined!
I was overwhelmed when Patrick Glassel and Alice Wanders incorporated my poem "No Evidence, No Crime" into their project! The result is stunning, eery and haunting.
NO EVIDENCE, NO CRIME
Do you all
Remember Alice?
Big-eyed Alice,
Chaste Alice,
With her blue ribbon
And her pretty dress?
How we were al
So impressed...
That Lewis Carroll
(such a kind man)
Took silly Alice
And made her a star.
Twinkle, twinkle little Alice,
Twinkle from afar!
So Alice twinkled,
But I wonder
Did she cry?
When Uncle Lewis
(such a patient man)
Took her boating
Or walking in the park,
When his hands
Wandered so;
Or even just his eyes,
Did Alice shrink?
Was that
The magic potion
He made her drink?
The poison brew
To make her think
Something was wrong
Something absurd...
That she was a bad girl
Getting upset,
Raising a doubt,
When he was such
A kind, patient
(affectionate) man.
Yes, I think
He poured it out
Into a pretty chalice
And served it to us
With charm:
(such a witty man)
The pain and the fear
And bewilderment
Of silly Liddell Alice
And made himself
A star.
Manuela Cardiga
NO EVIDENCE, NO CRIME
Do you all
Remember Alice?
Big-eyed Alice,
Chaste Alice,
With her blue ribbon
And her pretty dress?
How we were al
So impressed...
That Lewis Carroll
(such a kind man)
Took silly Alice
And made her a star.
Twinkle, twinkle little Alice,
Twinkle from afar!
So Alice twinkled,
But I wonder
Did she cry?
When Uncle Lewis
(such a patient man)
Took her boating
Or walking in the park,
When his hands
Wandered so;
Or even just his eyes,
Did Alice shrink?
Was that
The magic potion
He made her drink?
The poison brew
To make her think
Something was wrong
Something absurd...
That she was a bad girl
Getting upset,
Raising a doubt,
When he was such
A kind, patient
(affectionate) man.
Yes, I think
He poured it out
Into a pretty chalice
And served it to us
With charm:
(such a witty man)
The pain and the fear
And bewilderment
Of silly Liddell Alice
And made himself
A star.
Manuela Cardiga
Thursday, 31 March 2016
CHAPTER I - Jerusalem, Jordan December 1947
There is a man leaning on the counter, a man like a bundle of twigs. He is thin, with the long odd shape of his teeth pressing through the scant flesh of his face, like an animal's muzzle, all the angles of his skull explicit agony to the flinching eye.
Leila glances away. She looks down at her clasped hands, but his presence demands her attention.
He is thin, but there is a wiry desperate strength to him. His eyes burn, and as he leans to speak to the man beside him, spittle wets his arid lips. He raises the thick glass to his mouth and drinks. The ridged curve of his throat convulses, He grins, and scrabbles avid spidering fingers at his arm where the blue ghosts of numbers are obscured by the raked wounds of his constant scratching. His voice is high, he laughs, there is a ferocious hunger to him.
He is unbearably ugly, repulsive. His macula are mute reproaches to her happiness; that at this moment of desperate struggle when survival is the only permissible desire she is alight, afire with passion, in love for the first time in her life.
In this place where the remnants of a people stand to fight for their last chance at life, ready to pay for each grain of sand with blood, she is a girl aglow.
From "TURQUOISE MOON"
by Manuela Cardiga
Leila glances away. She looks down at her clasped hands, but his presence demands her attention.
He is thin, but there is a wiry desperate strength to him. His eyes burn, and as he leans to speak to the man beside him, spittle wets his arid lips. He raises the thick glass to his mouth and drinks. The ridged curve of his throat convulses, He grins, and scrabbles avid spidering fingers at his arm where the blue ghosts of numbers are obscured by the raked wounds of his constant scratching. His voice is high, he laughs, there is a ferocious hunger to him.
He is unbearably ugly, repulsive. His macula are mute reproaches to her happiness; that at this moment of desperate struggle when survival is the only permissible desire she is alight, afire with passion, in love for the first time in her life.
In this place where the remnants of a people stand to fight for their last chance at life, ready to pay for each grain of sand with blood, she is a girl aglow.
From "TURQUOISE MOON"
by Manuela Cardiga
DECEMBER IN JERUSALEM 1947
ME: So in the story, Leila goes into a cafe in Jerusalem to meet Joseph - she is in love, excited, and the whole world smells of desperation, fear and death. This man personifies that.
IVAN: A little info that Irvin told me: the Jews who came from the camps to Israel were looked down upon.
ME: Yes, they were grim reminder of "defeat". The man in the cafe, is a camp survivor. Imagine how uncomfortable their presence would have been.
IVAN: Yes
ME: Imagine Israel in 47, with people still staggering from the war,
weary of war. And these living revenants of atrocity demanding reparation, reminding them that this is not the time to be young, to laugh or dance. It is time to fight. Never to forgive, never to forget
IVAN: Yes
ME: Jews seen as "victims" when they wanted to be warriors. Maccabees
IVAN: Yes, how you know that?
ME: I know, I was there. The survivors were the archetypal image of the passive, patient Jew
IVAN: Yes, exactly, yes
ME: Hiding in plain sight to survive. The Sabra-to-be wanted to spit in the eye of fate, show the sinews of war to the world.
IVAN: The sabra called them "soap"
ME: Ugly, and so they were again victims where they thought to be home
IVAN: "Soap" from the rumour that Germans made soap out of the bodies
ME: The Germans did?
IVAN: It's not true.
ME: They didn't?
IVAN: No, but it was an ugly rumour and became an ugly insult.
ME: They made mattresses from hair, and lampshades from skin
IVAN: Yes, probably they did.
ME: "Wasting no part of the animal"...
IVAN: Yes.
ME: Odd that when I slipped into Leila's skin that repulsion for this man was so strong. The strong despise the weak because they fear discovering a true reflection of themselves
IVAN: YES! So true.
ME: Yet to survive, imagine the strength you would need. To live one more day when death would be such bliss. Ivan, I wish I could speak to your friend
IVAN: Yes incredible.
ME: I think this man in the cafe is a story wanting to be told. Waking up in Hell, struggling to live whispering to yourself each day:
"Next year, in Jerusalem".
IVAN: Yes
ME: And then you get there... You cross the half the world that punished you for your faith, dreaming of a homecoming and there they turn their faces in derision.
IVAN: Yes, "soap".
ME: I think surviving cruelty at hateful hands might be easier, that being turned from warmth by your own people
IVAN: I think it would be very painful.
ME: So many stories about the Holocaust, has anyone told this one?
IVAN: I don't know.
ME: I think they would hate me for it. Israel has profited so richly from the Holocaust.
IVAN: Yes
ME: It would be very embarrassing to admit giving the survivors such a miserly welcome. Martyrs are so much more lovable than survivors
IVAN: Yes. You can speak to him, to Irving. He has skype
ME: OK. Will you tell him what the story wants? That sounds so odd!
IVAN: I will ask him to speak to you.
ME: Everyone tells the story of the camps, I want to tell the after:
How bitter survival tastes when there is no welcome for the prodigal son. Oh, I forget! The Prodigal son is a Jesus-story. Do you know it?
IVAN: Roughly.
ME: A man has two sons
IVAN: Why do I have tears?
ME: Because truth hurts.
IVAN: Yes.
ME: Two sons, see? So one stays and works his Father's land, the other asks for his inheritance and travels to far, richer lands. does that not sound the story of Israel?
IVAN: Very much so.
ME: So the son travels far, and falls from prosperity into disgrace One day, scrabbling in the dirt and fighting the pigs for scraps, he thinks: "I have fallen to such misery. I shall return to my Father's house, for even the lowest of his servants has dignity in service and a warm place by the hearth" And so he returns, walking far on bleeding feet, and his Father sees him, and his love recognises him -though he is much changed - and he runs to him. The son kneels and speaks: "Father forgive me, I have sinned against Heaven and in your eyes and am no longer worthy to be called your son, but let me serve you as your meanest servant"
But the Father raised him up and dressed him in a fine robe and had his servants kill the fatted calf that all might partake of his joy.
The dutiful son who had been steadfast and true berated his Father:
"Your son travelled among the Gentiles, spilling his wealth and seed on barren ground, yet you receive him with open arms!" and the Father said; "Beloved, rejoice with me. Your brother was blind and was given sight, he was dead and now he lives"
IVAN: Yes
ME: I am sorry those were not the Jesus-words but my interpretation of them.
IVAN: Good enough, I think.
ME: It is an interesting parable applied to the Israel situation of that time, the post war.
IVAN: Yes, very!
ME: The Jews - the good son - who stayed, working the arid land, doing their duty before God...and the Prodigals returning.
IVAN: It's very appropriate.
ME: Ah...Jesus was a good Jew. How well he knew us and the mean and twisted jealousy of our tiny hearts.
IVAN: Yes.
ME: I am not surprised they killed him. The enlightened are seldom welcomed
IVAN: Me neither, and you know, they still behave the same way now.
From "Conversations with Ivan Shapiro"
IVAN: A little info that Irvin told me: the Jews who came from the camps to Israel were looked down upon.
ME: Yes, they were grim reminder of "defeat". The man in the cafe, is a camp survivor. Imagine how uncomfortable their presence would have been.
IVAN: Yes
ME: Imagine Israel in 47, with people still staggering from the war,
weary of war. And these living revenants of atrocity demanding reparation, reminding them that this is not the time to be young, to laugh or dance. It is time to fight. Never to forgive, never to forget
IVAN: Yes
ME: Jews seen as "victims" when they wanted to be warriors. Maccabees
IVAN: Yes, how you know that?
ME: I know, I was there. The survivors were the archetypal image of the passive, patient Jew
IVAN: Yes, exactly, yes
ME: Hiding in plain sight to survive. The Sabra-to-be wanted to spit in the eye of fate, show the sinews of war to the world.
IVAN: The sabra called them "soap"
ME: Ugly, and so they were again victims where they thought to be home
IVAN: "Soap" from the rumour that Germans made soap out of the bodies
ME: The Germans did?
IVAN: It's not true.
ME: They didn't?
IVAN: No, but it was an ugly rumour and became an ugly insult.
ME: They made mattresses from hair, and lampshades from skin
IVAN: Yes, probably they did.
ME: "Wasting no part of the animal"...
IVAN: Yes.
ME: Odd that when I slipped into Leila's skin that repulsion for this man was so strong. The strong despise the weak because they fear discovering a true reflection of themselves
IVAN: YES! So true.
ME: Yet to survive, imagine the strength you would need. To live one more day when death would be such bliss. Ivan, I wish I could speak to your friend
IVAN: Yes incredible.
ME: I think this man in the cafe is a story wanting to be told. Waking up in Hell, struggling to live whispering to yourself each day:
"Next year, in Jerusalem".
IVAN: Yes
ME: And then you get there... You cross the half the world that punished you for your faith, dreaming of a homecoming and there they turn their faces in derision.
IVAN: Yes, "soap".
ME: I think surviving cruelty at hateful hands might be easier, that being turned from warmth by your own people
IVAN: I think it would be very painful.
ME: So many stories about the Holocaust, has anyone told this one?
IVAN: I don't know.
ME: I think they would hate me for it. Israel has profited so richly from the Holocaust.
IVAN: Yes
ME: It would be very embarrassing to admit giving the survivors such a miserly welcome. Martyrs are so much more lovable than survivors
IVAN: Yes. You can speak to him, to Irving. He has skype
ME: OK. Will you tell him what the story wants? That sounds so odd!
IVAN: I will ask him to speak to you.
ME: Everyone tells the story of the camps, I want to tell the after:
How bitter survival tastes when there is no welcome for the prodigal son. Oh, I forget! The Prodigal son is a Jesus-story. Do you know it?
IVAN: Roughly.
ME: A man has two sons
IVAN: Why do I have tears?
ME: Because truth hurts.
IVAN: Yes.
ME: Two sons, see? So one stays and works his Father's land, the other asks for his inheritance and travels to far, richer lands. does that not sound the story of Israel?
IVAN: Very much so.
ME: So the son travels far, and falls from prosperity into disgrace One day, scrabbling in the dirt and fighting the pigs for scraps, he thinks: "I have fallen to such misery. I shall return to my Father's house, for even the lowest of his servants has dignity in service and a warm place by the hearth" And so he returns, walking far on bleeding feet, and his Father sees him, and his love recognises him -though he is much changed - and he runs to him. The son kneels and speaks: "Father forgive me, I have sinned against Heaven and in your eyes and am no longer worthy to be called your son, but let me serve you as your meanest servant"
But the Father raised him up and dressed him in a fine robe and had his servants kill the fatted calf that all might partake of his joy.
The dutiful son who had been steadfast and true berated his Father:
"Your son travelled among the Gentiles, spilling his wealth and seed on barren ground, yet you receive him with open arms!" and the Father said; "Beloved, rejoice with me. Your brother was blind and was given sight, he was dead and now he lives"
IVAN: Yes
ME: I am sorry those were not the Jesus-words but my interpretation of them.
IVAN: Good enough, I think.
ME: It is an interesting parable applied to the Israel situation of that time, the post war.
IVAN: Yes, very!
ME: The Jews - the good son - who stayed, working the arid land, doing their duty before God...and the Prodigals returning.
IVAN: It's very appropriate.
ME: Ah...Jesus was a good Jew. How well he knew us and the mean and twisted jealousy of our tiny hearts.
IVAN: Yes.
ME: I am not surprised they killed him. The enlightened are seldom welcomed
IVAN: Me neither, and you know, they still behave the same way now.
From "Conversations with Ivan Shapiro"
Monday, 28 March 2016
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